If you manipulate picture , make graphics , or otherwise work with images , you ’ve in all probability usedAdobe Photoshop . And if you cut video , you ’ve likely incorporated still mental image into your video labor .
Final Cut Pro Xworks with all kinds of image data formatting , such as JPEG , PNG , and TIFF . It also works with Photoshop ’s PSD single file . you may import Photoshop filing cabinet at once while maintaining transparency and portmanteau modes . And if the Photoshop file contains multiple level , you have access to each stratum in Final Cut Pro , so you’re able to reorder , disable , transform , or animate them . I ’ll show you how .
Preparing Photoshop files
Most Photoshop file do n’t need any special preparation before you spell them into Final Cut Pro X : Any areas of transparence and most blend modes will be respected . However , if you have vector objects ( such as material body ) or layer effects ( such as bevel square , glows , color overlay , or drop shadows ) , then you will first need to either make a Smart Object out of that bed or rasterize it by merging it down onto an empty layer underneath it .
Importing Photoshop files
You spell Photoshop files into Final Cut Pro X the same elbow room you import any medium : Select an event in the event library ( or make a novel one ) , and then chooseFile > implication > Mediaor press Command - I. In the Media Import window that look , navigate to the file(s ) or folder(s ) to import , take them , and clickImport pick out . To keep your media organized , you may want to check theCopy file to Final Cut Events foldercheckbox . If you are importing folders that have useful names , tally theImport brochure as Keyword Collectionscheckbox to make locate your files in Final Cut Pro easier .
I prefer to determine the effect internet browser to filmstrip purview ( View > Event internet browser > as Filmstrips ) with the duration slipper all the way to the right so that I can see item-by-item thumbnails of the import files . Photoshop file thumbnails appear with an vista ratio matching that of the original file , so some may appear marvelous while others look solid or wide-cut . If the Photoshop file contains more than one layer , a small badge appear at the top - go away corner of the thumbnail , identify the Indian file as a Layered Graphic clip type . ( Tip : you could produce a impudent collection based on this clip eccentric that shows all layered nontextual matter in your event . )
Editing Photoshop layers
To keep in line the layers inside the Photoshop file , you launch the file in its own timeline . You have two manner to do this , and it ’s important to understand the difference between them .
Double - snap a superimposed data file in the event browser app opens it in its own timeline , where you could select and adjust each individual bed . Any changes you make to the stratum dissemble the “ parent ” event web browser Indian file — so your alteration appear in every copy of the file that you redact into a undertaking .
instead , you redact the Photoshop file into a labor ( by dragging or using keyboard shortcuts ) , where it appears as a individual snip . By default option , Final Cut Pro X scale the item to agree into the dimension of the project , but you’re able to exchange its overall scale , position , and gyration by clack theTransformbutton ( the box on the left under the viewer windowpane ) and pull strings it in the viewer , or by alter those parameters in the inspector . If you dual - click the project clip , it will open in its own timeline , revealing the layers — just as when you twice - click the case cartridge holder . Here , however , any change you make to the layers apply only to this copy of the clip in the project .
Either manner , once you have spread your Photoshop file in its own timeline , you could tangle bed up or down to change the stacking order , disable layers by selecting them and pressing the V paint , trim them by drop behind on either closing , and transform them by convert their spatial relation , scale , and revolution in the witness or in the inspector .
Transforming layers
Not all Photoshop file contain more than one stratum , but for one that do , pull wires each layer independently is easy . The double below is a photograph I buy from iStockphoto.com . In Photoshop , I made a selection of the woman in the foreground and put her on a freestanding foreground layer . I then used the Clone tool to fill in the space behind her on the background layer . In Final Cut Pro , I can now reposition and descale the modeling — the foreground layer — severally of the setting .
Compositing with Final Cut elements
If your Photoshop Indian file has a single bed on a limpid scope , you could utilise it to build a composite prototype by combining it with other component such as your own ikon or video , or by taking advantage of the effects , statute title , and generators built into Final Cut Pro X.
you’re able to even animate item-by-item Photoshop layers . Below , I used a layered Photoshop look-alike of a clock that comes from Apple Motion ’s library . Motionis a companion covering to Final Cut Pro X that you may expend to make opening title of respect chronological succession and other alive graphics quickly and easy ; you may also make effects for purpose in Final Cut Pro X. The clock face , hour paw , minute script , and second hand are each on separate layers . By setting keyframes for the rotation parametric quantity in the inspector(part of the Transform chemical group of parameter ) , you’re able to animate each hand to rotate over time . ( Tip : You ’ll first ask to move the anchor point for each level to the base of each bridge player so that they rotate on their bases and then recenter the script . )
Conclusion
Whether you create layered Photoshop files yourself or someone give them to you for integrate into your video recording , you ’ll have no trouble using them in Final Cut Pro X.
