The iPhone ’s video camera has get so good that it ’s often used instead of a more expensive professional tv camera . lend the fact that an iPhone is much little – you ca n’t put most professional television cameras in a pocket – and the iPhone has become an attractive videographer ’s tool .
Traditional video recording cameras do have an advantage in that they offer more capabilities for very well - tuning . But the iPhone is trying to compete at that level , too , with Apple ’s release ofFinal Cut Camera for iPhone . Packed into the app is the ability to tweak television camera options such as white balance , ISO , and shutter velocity . Manual focus and frame - pace fitting also add to the overall minutia of possibilities .
When used as a companion to the newFinal Cut Pro for iPad 2.0 , you ’ll find a well - oiled television yield ecosystem . Now you’re able to unlock Live Multicam , in gain to the usual editing capabilities that have been improving on the iPad experience over sentence . For a content creator or partizan , here ’s a look at how the compounding of the Final Cut Camera app and Final Cut Pro for iPad 2.0 works .
Live Multicam is a tour de force feature for Final Cut Pro for iPad.
Final Cut Pro for iPad 2.0 and Final Cut Camera for iPhone review
Expert’s Rating
Pros
Cons
Our Verdict
While the Mac version offers good tools and workflow for complicated project , Final Cut Pro for iPad 2.0 becomes more robust with its Live Multicam support and unexampled tool for color grading , soundtrack , and more .
Final Cut Pro for iPad 2.0 brings various improvements . Considering the new and powerfulM4 iPad Pro , any update that increases functionality to take more advantage of the fresh hardware is welcomed . iPadOS still lacks the more powerful file arrangement functionality of macOS , however , making organization for large task more difficult . For diminished task such as social medium posts , the iPadOS does a good line of work of supply speed and efficiency with the Final Cut Pro app .
be Multicam is a enlistment de personnel feature for Final Cut Pro for iPad .
Live Multicam is a tour de force feature for Final Cut Pro for iPad.
Thiago Trevisan / Foundry
net Cut Pro for iPad has a subscription cost of $ 4.99 monthly or $ 49.99 annually . While apps such as iMovie are free , the added functionality offered certainly add together note value to the paid Final Cut Pro for iPad for the correct substance abuser .
Live Multicam
The biggest addition to Final Cut Pro for iPad is the integration with Final Cut Camera and support for Live Multicam . It allows user to record up to four unlike angles , dependent on the number of connected iPhones / iPads . If you connect your iPhone to your iPad , you could see two different angles , for example . It is then just a matter of cunning emplacement and some planning for adept photographic camera angles .
Multicam shots are typically done with multiple traditional cameras and can be difficult to decently implement . The way that Final Cut Pro for iPad swimmingly allow this functionality to seamlessly hang is appreciate . While using the Final Cut Camera app , you could also ascertain the other machine-accessible television camera . With the ability to stop only the iPhone camera or all cameras , there is full flexibleness here . This remote - mastery functionality is something that traditionally requires multiple operator and complex camera equipment to pull off .
The prowess of the M4 iPad Pro makes editing footage from the iPhone smooth and light , even when multiple angle and television camera are used . The ability for iPhone and iPad to have external storage gimmick with theirUSB - light speed connectionsis great for large file sizes and workflow .
Live Multicammakes Final Cut Pro for iPad a tool that can expandvideo production affordably.
video production affordably .
Color grading
colour scoring is a staple in the work flow of both amateur and professional video editors likewise . With 12 different people of color range presets jammed in , there is now much more utility when using the iPad for redaction . These are presets , so custom color grade for high - degree piece of work is still off - limit point . The nuanced color grading of big complex project is still more suited for Final Cut Pro on a Mac .
For many , the flexibility of the iPad adds plenty of reason to expend to practice the fast presets , however . Many of the presets can take care not bad with a simple-minded click , especially for social - media contentedness creator on the go with time restraint for OK - tuning .
colour scopes for gauging your visuals are here , but there are some restriction with look - up tables ( LUTs ) . you may only practice the built - in LUTs in Final Cut Pro For iPad , and not custom LUTs as you would unremarkably use on Final Cut Pro for Mac .
The new color gradients are presetso you need to go to the Mac to do fine-tuning.
While the color grade pipeline has these promiscuous out - of - the - box experience for editor , the hard limits on capabilities may push some towards the macOS version .
The new color gradients are preset
.
The titles are basic and should be adequate for most productions.
Foundry
Soundtracks
Keep in intellect if you want to bring this projection externally to a Mac , you will need to export the undertaking with the audio data file being an AAC audio file .
Dynamic glitch backgrounds
Adding some flair to a video is something that takes prison term , but detail such as bug setting help to quicken the workflow and get generally good solution . There are various other background alternative also available to add some oomph . bestow patterns and other shapes can be supply , in a straight - forward manner without needing too much customization .
Transitions are also usable , with automatic crabbed - fading of audio if it was already part of the video . Of course , motion picture cereal and other interchangeable effects also are in the iPad ’s tool chest .
New basic text titles
title are of import , and text title options allow you to get a good start on put what it is you would like to convey to your interview . Together with lower - third titles and bumper , you have the option to make your titles static or liven them . Once again , impart a title is as elementary as dragging it to the timeline , and you may fine - air the duration . For titles , you may have to download them separately from within the app .
Final Cut Camera
Final Cut Camera for iPhone is free , compatible only with an iPhone running Io 17.4 or later . Final Cut Camera can work on an iPad , but the iPad ’s photographic camera is painfully lack compared to the iPhone . But if you require to create a multicam apparatus , you’re able to use a mixture of iPhones and iPads .
Final Cut Camera offers more adaptation selection than the iPhone Camera app .
While iPhone hardware has improved every generation with a labored focussing on its cameras , the original Camera app still lacks the functionality that a professional lack . Final Cut Camera provide muckle of nuance to tinker with . If you use your iPhone instead of a traditional camera , the experience of adjusting the camera is very similar , aside from the iPhone speck interface .
Final Cut Camera offers more adjustment options than the iPhone Camera app.
With Final Cut Camera , it all starts with choose the baseline attributes for what you contrive to take . Choices such as frame charge per unit , codec , and focal length all mirror what a traditional camera offers .
Apple ProRes and HEVC H.265 are the two codec options available , with ProRes being more storage punishing – if you ’re usingiPhone 15 ProorPro Max , you could use those phones ’ power to record right away to an external SSD attached via USB - C. Also , when it derive to processing the video recording , Apple silicon can manducate through either codec without breaking a sweat on the iPad Pro or Mac .
The power to choose between HDR and SDR Rec . 709 is also here , which is apt since the iPad Pro is HDR - adequate to . To top it off , 720p , 1080p , and 4 honey oil firmness are all options . The best closure choice will count on how large of a filing cabinet sizing you would like balanced out with the distinctness of the resolution .
Apple ProRes and HEVC H.265 are the two codec options available, with ProRes requiring more storage space.
Apple ProRes and HEVC H.265 are the two codec options uncommitted , with ProRes requiring more storage space .
For frame charge per unit , 24 to 60 Federal Protective Service options are available . PAL or 25 fps can also be selected for increased flexibleness . snowy balance and vulnerability are also here in a camera - friendly format that is easy to digest and use .
You will have some choice in focal length for your lens . With the iPhone 15 Pro Max ’s three - electron lens camera , the full electron lens will be 13 mm . A traditional 24 millimetre is next , clear off with a long - image 120 mm focal length . These are define focal lengths , but you could still pinch to whizz along . In Final Cut Camera , the nidus can be set automatically or be manually controlled . The manual focus is accurate and satisfy to utilise , with predictably smooth transitions . Much like a traditional camera and lens , you’re able to rack focus as you see fit with the optical tending of the screens as a guide . In the options , you will find the option to deform concentre peaking on , which can help you fine - tune your focus during use .
Audio pick are also available in scene , admit you to choose the comment source . The default will be “ This gadget”–the iPhone being used . This will earmark users to unite other microphone and similar setups for more complicated multicam use .
A powerful combination
The simplicity of the iPhone ’s Camera app is appealing on a magisterial shell , but professional person call for more control . Final Cut Pro Camera adds pro - level functionality . The fact that it is liberal is a cracking plus and something that should be more kindred to the fund camera app blend in forward .
Third - political party apps such as the Blackmagic Camera are available and sometimes extend more functionality than the Final Cut Camera app . However , the integration with Final Cut Pro for iPad is unseamed and gives further video usability to both devices . Multicam Live is the big selling point in time here , coupled with the ability to effortlessly edit television on the iPad .
While the screen background Final Cut Pro is more fully feature , the on - the - go nature of the iPad version can fit the bill for many work flow . The subscription cost is a turn - off but it does provide note value to those seek to make use of the multicam features couple with the Final Cut Camera app for iPhone . The addition of new goodies , such as more colour - place presets , soundtracks , and titles , make it a good all - in - one package .
Final Cut Pro for iPad app is rivet on fast turnaround . You likely will not replace your macOS editing software anytime presently if you involve more complex workflows , But with improving ironware , the iPad software is also undergoing nuanced variety to make it more executable and seamless . With more capable cameras likely coming with the iPhone 16 Pro , the future is bright with possibilities as the hardware improves . With both power and easiness of use , the iPhone can continue to eat at some of the traditional use cause that were the staple of regular television camera systems .
