If you blue-pencil video recording , you likely use titles — to introduce a topic , identify a loudspeaker , or perhaps credit role player and crew . Title designing run beyond just the choice of run-in . Fonts , colour , size , graphic element , and animation all combine to establish a look that can unify , backup , and raise your entire project .
If you ’re using iMovie to blue-pencil your videos , you ’ve likely identify that it includes a good identification number of claim presets . Many of them are enliven , and they can be customized to fit your needs .

If you ’re consider move up to Final Cut Pro X ( itcan spread your iMovie projects ) , you ’ll be pleasantly surprised to find that not only does it include the iMovie titles that you are used to ( include root titles but excluding Movie Trailers ) , but there are also many more title design to pick out from — almost twice as many . In addition , you have much more flexibility to customize your title , all in a exploiter interface that should make you feel the right way at home .
Choose a title
Titles in Final Cut Pro X are settle in the Titles web browser , very much like iMovie . Titles are split into five class , and as you browse the title , you ’ll belike recognize the 80 - plus championship that are usable in iMovie scatter among the most 80 additional deed of conveyance designing .
 While skimming a statute title thumbnail in iMovie exalt the title in the thumbnail itself , in Final Cut Pro you may also see thefull - sizepreview animation in the Viewer , making it much light to see what a claim will see like before you resolve to utilise it .
To apply a title , you could drag it over a clip as you would in iMovie — but to be more exact , I like to move the playhead to the frame where I want the rubric to protrude , then take the title in the Titles web browser and beseech the Q key , which connect the title to the clip at the playhead . If needed , you’re able to then drag on the middle of the title to change its location , or drag on either end to change its duration — just as you would do in iMovie .
Tip : If you desire a title to last incisively as long as a video cartridge holder , first contract the X key when the playhead is over the clip to set a cooking stove . Now when you pick out the title you want and press Q to tie it , the title will exactly agree the cartridge clip continuance .
instead , if you want to invest the title at the start of the project so that it ’s not placed over any video clips , move the playhead home , take the title , and adjure the W key to perform an insert edit .
Edit a title
Once in the timeline , you may edit your title in three different ways . In the Viewer , you could change the text content like you would in iMovie — just doubly - click it and pop out typing . But you’re able to also drag on a hold to reposition the text anywhere on the screen , which is quite useful . When you are done editing the textual matter in the Viewer , press the Escape tonality .
Now in the examiner — press the i clit or Command-4 if it ’s not open — there are two panes with controls for modify the look of your text edition . The Text pane comprise the canonical attribute that enforce to all title , such as the font , sizing , alignment , spacing , and trailing . It also include four style attribute of the text that you’re able to enable and adjust : Face , Outline , Glow , and Drop Shadow . Clicking the Show release on the right side of each attribute opens a computer menu where you’re able to exchange Fill , Color , Opacity , and other parametric quantity to give your text a unique style .
Once you ’ve customized your text edition , you may save the way by clicking the bar at the top that says Normal and giving it a name — or you may choose from among the many preset styles that appear in the pearl - down lean .
Motion graphics
The Title pane of the Inspector contains parameters that can vary from title to title . All the statute title built into Final Cut Pro X were created in a fellow traveler motion computer graphic app calledMotion , and many of them have been “ rigged ” to allow you to customize them inside of Final Cut Pro X , using the Published Parameters in the Title Inspector . 
And there ’s another welfare to using Final Cut Pro X for title as opposed to iMovie : Final Cut Pro is expansible . There is a turgid , various , and rapidly grow universe of third - party titles , transition , effect , and templates that open up many more creative possibilities for your telecasting undertaking .
If you want to essay your bridge player at creating your own titles , you’re able to do so using Motion ( $ 50 in the App Store ) , and then publish the title so that it can be used ( and modify ) in Final Cut Pro X.
With over 160 form of address presets to pick out from , the ability to easy reposition , formatting , and title your titles , the choice to add third - party titles , and the exemption to create original titles with Motion , there ’s no limitation to what you’re able to do with title in Final Cut Pro .
