Not contented with the barrage of new kickshaw unleash on the public at Tuesday ’s media event , Apple has also released new updates to its professional cortege of filmmaking applications : Final Cut Pro X , Motion , andCompressor .
Version 10.0.6 is Final Cut Pro X ’s most important update yet : The program now underpin theRED camera line , adding both native Redcode Raw editing and transcoding to Apple ’s ProRes format . The update also add up raw multichannel audio recording redaction tool to the timeline , dual viewers ( allowing editors to compare shots on the fly ) , reenforcement for MXF plug - atomic number 49 , a unite moment window for both file - free-base camera system and pamphlet , and financial support for chapter markers .
Additionally , the Modern version lets editors keep Connected Clips in place while slipping , slide , or move clips , add halt - frames more easy , copy and glue attributes with a new Paste window , apply new audio control for Multicam cartridge clip , make multiple range pick for a single clip , and export projects and range selections more easily via a redesign Share interface . FCP ’s XML has also been updated to version 1.2 , admit editor to import and exportation metadata to third - party apps .
Compressor and Motion also get a few updates to call their own . Apple has meliorate the cluster apparatus for Compressor , along with pass the re - authentication process for additional encoding clusters and addressing an issue touch on to third - party QuickTime factor . Motion receives ameliorate anti - aliasing for schoolbook , the ability to open multiple projection at the same time , and faster project consignment times .
The updates are complimentary for current users ; new exploiter can plunk up the apps for $ 300 ( Final Cut Pro X ) and $ 50 each ( Motion or Compressor ) .
