Apple has posted a document on its internet site titled“Answers to your Final Cut Pro X Questions . ”The FAQ aims to address the on-going contestation surroundingApple ’s releaseof the re - architected professional - mark video editing software . ( SeeMacworld’sreview here . ) The text file addresses usual questions about spell old projects , multicam editing financial support , and other feature — and not every answer will meet disgruntle pro editors .
On the question of whether Final Cut Pro X ( FCPX ) will ever pull ahead the power to spell file from Final Cut Pro 7 ( FCP7 ) , Apple is blunt : “ [ T]here is no path to ‘ translate ’ or bring in old task without convert or drop off information . ” The company says that FCP7 will stay to work under Mac OS X Lion , and that you could import your honest-to-goodness FCP7 medium files into FCPX . disregarding , Apple ’s declaration that FCPX will never import FCP7 project is trusted to foregather with surprise and dashing hopes for longtime Final Cut users .
Apple sustain that multicam editing—“an significant and popular feature”—is coming to FCPX , stating that “ we will furnish great multicam support in the next major release . ” Regarding XML editing , the company says , “ we expect to add the functionality to Final Cut Pro X , ” and that Apple “ will liberate a set of APIs in the next few week so that third - party developer can get to the next - contemporaries XML in Final Cut Pro X. ” Apple provides no timeline for the next major button of FCPX , however , nor does it say definitively whether XML exporting would make that release specifically .
The document also addresses the interrogation of whether it ’s possible to import video recording into FCPX as you could in FCP7 . “ Yes , ” Apple spell . “ Final Cut Pro X allows you to spell television from a wide chain of gimmick , including many AVCHD - based cameras and DSLR cameras . ” The company provides what it says isa growing leaning of compatible cameras .
Some camera manufacturer will necessitate to update their import plug - inch to work with the new 64 - bit architecture of Final Cut Pro , and we are go with them to provide these updates as speedily as possible . Until then , you’re able to use your camera manufacturer ’s import software to convince video for Final Cut Pro X. For case , Sony offers an XDCAM transport program that countenance you to change XDCAM video without transcoding so it can be imported into Final Cut Pro X. you may discover more selective information here : https://support.apple.com / kb / HT4724 . If you are work with RED photographic camera , you could apply the free RED package REDCINE - X , project to transcode RED RAW video to ProRes for use in Final Cut Pro X : https://www.red.com / musical accompaniment / all / downloads .
Later in the papers , Apple recognize that tape - based work flow editing in FCPX is “ limited , ” say that the software “ is design innovative file - base workflows and does not include all the tape seizure and output features that were build up into Final Cut Pro 7 . ”
Apple also provides answer to questions on whether FCPX indorse external monitor . The company says “ yes , ” because “ you’re able to place a single window — such as the Viewer or the Event internet browser — on the second monitor . ” Apple also says that it ’s “ been working with third - party developer in our genus Beta programme to make ” to lend external TV monitoring , and points toAJA ’s newly - post beta driversfor its Kona calling card .
The document reiterate a few answers to editing questions that Apple already ply elsewhere : you’re able to habituate Duplicate Project ( with or without duplicate your medium ) to pull through different rendering of your project ; you’re able to customize keyboard shortcut ( to revert to FCP7 ’s bidding , for example ) in Final Cut Pro - > Commands - > Customize ; and third - political party fire hydrant - ins require update for 64 - bit compatibility before they ’ll play with FCPX .
The document also explain how to specify boodle phonograph record emplacement , how to share projects with other editor program , how to store media in locations other than your system tug , and how to hide Events .
Apple enjoin that — once those aforementioned XML APIs are available , “ third - party developers will be capable to produce tools to support OMF , AAF , EDL , and other exchange formats . ” The FAQ points toAutomatic Duck Pro Export , which Apple say already let you to export OMF and AAF . Apple says that prick will let you export your project to sound blue-pencil software like Pro Tools . Regarding depute audio tracks for exportation , Apple says that “ an update this summer will allow you to use metadata tag to categorize your audio clip by type and export them directly from Final Cut Pro X. ” Whether that “ summertime ” tone ending is the next major interlingual rendition of FCPX with multicam support , and whether it will include the promised XML exportation functionality , is unclear . And on the topic of custom-make your export place setting , Apple recommends the $ 50 Compressor 4 software package , though the party notice that “ [ t]he most democratic export pick and formats ” are built into FCPX straightaway .
eventually , Apple says that volume licensing will be available “ shortly ” for quantities of 20 or more ; Apple say that it will offer buyback code to use in the Mac App Store for that intention .
The letter of the alphabet notably makes no reference to rumors that Apple ’s been offering refunds to dissatisfied FCPX purchasers . While the troupe ’s honesty in the document is most certainly welcome , some of the reply seem improbable to appease those editors dysphoric with aspect of FCPX . Specifically , the permanent lack of support for importing FCP7 projects , coupled with the unclear timelines for when missing feature some pro deem necessary will at last be released , will likely do niggling to unruffle feathers .
